REPLAY #2: Smif-N-Wessun ‘Dah Shinin’’ vs DJ Quik ‘Safe + Sound’ (1995)
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Welcome to Hip Hop World Cup REPLAY – your chance to revisit classic matches between golden-age rap albums from the Hip Hop World Cup vault!
We go back to 1995 for this East v West coast clash as Brooklyn’s Smif-N-Wessun take on Compton’s own DJ Quik!
The gritty, grimy Beatminerz production on Smif-N-Wessun’s iconic LP Dah Shinin’ is a world away from the polished funk beats of DJ Quik’s third album Safe + Sound, but that contrast made for an irresistible clash that Danny, James and Steve got their rap-loving teeth into.
Enjoy this trip down memory lane as we chew over two of 1995’s best hip-hop albums. Let us know who you had winning, whether this was a fair decision or if we need to apologise.
All the full episodes from the first series are available on your podcast player of choice.
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Oh yeah, replay, replay. Let's not take the piss. Here, replay, replay. I will love it if we beat them. Love it. Hello and welcome to Hip Hop World Cup, the podcast that pits golden age hip hop tracks and albums against each other in a contest to find the ultimate champions. I'm your host, Annie Phillips, and you're listening to Hip Hop World Cup Replay, a highlight show looking back at the best matches from our first series. It's a bit like Match of the Day, if Match of the Day only showed highlights of one match that took place a few years ago.
Anyway, the reason we're putting these replay episodes out is that in our first series, we crammed 8 whole albums into each episode. That's a lot of discussion about hip hop, so we thought it would be a good idea to single out and revisit some of the individual battles from that first series. I'm back here in Zurich sorting out a few more affairs related to our lease on the FIFA headquarters in Zurich. We had a custom made bunker that we were using for our first series. Sadly we we are no longer allowed to use that.
So I'm just back at sorting out some of the paperwork and I'm catching up with my old mate Sep who's still here, sort of doing the rounds, walking the corridors. We're about to revisit a match from our 1995 episode between Smith and Wesson's to Shining and DJ Quick, safe and sound. While I was here I nabbed my old mate Sep Blatter to come in, sit down and provide his thoughts and analysis on this epic battle. Hi Sep Hello, great to have you here now. So, so Seb's going to be providing some insightful analysis of this match between Smith and Wesson and DJ Quick.
He's also going to be sharing some thoughts about his time as FIFA president. So please stay tuned for that. If you want to hear that, by the way, hit the red button on your podcast app. You'll be able to hear that alongside our our analysis and discussion of these albums. But either way, sit back, relax, enjoy this match for our 1995 episode Peace. So next out of the hats. Thanks, Jeff. It's The Shining by Smith and Wesson. OK, we're going up against safe plus sound DJ Quick. Yeah, this is the worst I haven't realised.
I'm glad. I'm glad It's kind of falling like this. I think actually, no, I'm not. No. So you say Smith and Wesson. Yes, Smith and Wesson and safe. And sound. This is the. This is This is the. I wanted to see this as the final, but this would have been a good final anyway. Right. OK, so. Round one match 3. It's me first on this one, so DJ Quick and Smith and Wesson. OK, this is my absolute worst nightmare come true. I absolutely adore most of these albums. You've got a classic on the West Coast versus East Coast match up.
Again, both great examples of the East Coast and the West Coast sounds. We're going to start with DJ Quick. Bought this in Binary Star in Exeter 95. I've got a really weird copy of it. It's got a back cover that's got no more information on it. It's just a picture. It's really weird. Anyway, yeah, love this album. What I would say the thing that strikes me most about this album and always has done is how musical it is. Like DJ Crick is a very musical producer, hip hop producer, like he really has.
He's almost like a jazz sort of RB producer. He's very, very talented. His stuff just has an instant kind of real richness and quality to it. And I think he's described his own sound as being very pretty, which is I think it's really good, good sound, he says. So often people find his stuff too pretty, which I think is a really good. Driving it I. Reckon as a producer he's as good as Dre, but I think his stuff's a little bit more nuanced and a bit more I think it's more sophisticated than not Dre stuff.
I think it's there's more to it, but ultimately I think Dre has a better sense of, you know, bangers. What makes a proper kind of hip hop track or DJ Quicks a little bit more nuanced and jazz orientated, let's say? This. Album for me is always my favourite DJ quick album. It's it's amazing from start to finish. I don't think as many week tracks, a couple of week tracks or you know, some of the some of the sex tracks are a bit bit hard work, but but I think generally it's a really, really strong.
I think it's one of the best West Coast albums ever made. I think he was associated with death row around this time and it's on profile, but he started to just dip into the death row thing. It's got dollars and cents on it, which was on the Murder Was The Case soundtrack stand out tracks I think. Well, as I said, they're all good for me. Something for the mood. Is is my absolute favourite of this. This album, I just think it's brilliant. It's really long, it's got flutes, it's got all sorts of synths in it.
It's just a really, really great example of musicianship. Get at Me, the first track I believe it's just comes in really strong and I love how he's just kind of dissing all his old sort of camp mates. I think it's, I think it's named AMG. Get at me. I think he's having to get at AMG. I think AMD G did something bad. Really. Yeah, I think I. Think so, yeah. I think borrowed something off him and didn't get it back. So he's really quite a rap about it, but. He does reference AMG elsewhere in the album, like in a Positive.
Yeah, I'm, I'm, I'm confused because. He, I think he's on it. Bitch better have my. Money and run and stuff like that. I think he's done to go with somebody, but I don't. I don't I'm. Not 100% sure, I should probably should have looked into the back story of that of that before we did this. But as a track it's amazing. It's got that cameo sample on it. I think it's Rigour Mortis. It's such a great opening to an album, but it really gets you going. And from that it just, I don't think you know, it's just a complete ride through to the end of the album.
So many great traps on it. I also love Summer Breeze as well. I just I always love that one. Let them have it this. It's a really, really, really good album from start to finish. I just, I can't really fault it. Moving on to Smith. And Wesson, I think, again, this is if I had to drop the top ten albums of all time, it's in there. So we're dealing with two of my favourite albums of all time. This again, if those aliens came down and said to you, look, you know, we've heard a bit about these beat miners, you know, give us an album to take away that represents their sound.
I'd hand them a copy of this and say, look, this is the this is the beat minus this is this is what they do. Again, it's very much for those jazz samples, the filtered baselines, but there's a real raw kind of dirtiness to their sound that really, really works. But it's just it's just something something about the way Smith and Wesson, they kind of flow on the beat and it just suits that beat miners style really well. Really gritty, really raw. The flow, the interplay between them isn't it is amazing.
In terms of stand out tracks. I think Hallucination is one of my all time favourite hip hop tracks. Love that, love the mini Rippity sample and I just love the story they tell in it, sort of the beat. I mean, I think they must use that. What notes? Why can't people be colours to break about in on every single track on this album? They know their drums and they've got certain drums they love. So sometimes it did not be say me, but you know, I just I love I love their production style. I love the beats they use all of these samples they choose.
It's got a bit of Black Moon on it, very jazzy. And then and it rounds out the album with PNC parts and Crime, which has a like a one way sample on it. And I love that track. I mean, I love the original, but the way they used that sample was just incredible. So for me, this is going to be a really, really, really difficult decision. And I hate you, Steve and Jeff for pulling this these two out the hat against each other because what means one of them's got to go home, one of them one of them's on the plane early.
I don't like that at all. So I'm. Going to. Sit and Mull over it for a bit while I listen to both of you. But we'll have we'll have Steve next on this one. Yeah, I think I feel the same. Same to you, Danny. This is another great matchup. But we know this is we this World Cup is going to be just a bloodbath, really. It's it's so hard to choose between some of these albums. And like I said, East Coast versus West Coast, the DJ Quick album, it's I don't know you, I think you 2 are much, much more familiar with that kind of the technical side of, of things.
And, but I, I don't know, I kind of even even I could spot like all the kind of great samples that he, he, he used. And so that kind of like makes it really kind of enjoyable to listen to. It's it's really quite funky and there's so many good tracks on there and and you know, two or three classic tracks as well. It does, I think Peter out a little bit towards the end. And again, it's probably not one that you're going to want to play with your wife in the room. And he he definitely loves himself, doesn't he?
I mean, crikey. And it gets a little bit annoying how much he kind of goes. On about Wouldn't you though, if you were that good at doing doing music? Yeah, but I think I'd have enough self esteem not to kind of like put it all over the records all the time. I mean, I don't know. So yeah, but great album. Definitely his best album, the Smith and Wesson album. It's just, it's just it's just got such a great sound. And I think both of you probably know like this is this is definitely right right up my kind of Ave in terms of what I love that kind of more rough and rugged sound.
But I guess also kind of similar to DJ quick, some amazing choice of samples as well. I definitely don't think there's a bad track of this album. And Danny, it's really interesting to hear you say that you put this in your top ten albums of all time. I think I probably I probably underrated this album. I think this is this is the the whole of this World Cup. It's been the one album I've come back to and thought, you know, more than Big Out what an amazing album this is. And those two classic tracks, Hallucination and PAPNCI, just think I just on another level.
But yeah, like so many of the good tracks on there recognise Sam Boy, Burial, Bucktown. The Bucktown is amazing as well, isn't it? You've got, yeah, you've got, you've got. Keep it moving bucktail, and stand strong. Stand strong. And the. Ones on the side of that brilliant as well. So like, but then you get into that one of three, it's like. Home Sweet Homes. Good. Let's get it on. It's just it's just a cracking album. So yeah, but that. But because they're almost like kind of like opposite, they're opposite coast opposite sounds.
It's really hard to choose. It is really hard to choose between them. So yeah, I'm going to have a bit of time to know that overwhelm. Well, Larry, Larry tells us what he thinks. Yeah, I think, yeah, I'm surprised actually, Steve, but you are not surprised. But I didn't think that you were so as into like the quick album as me. And you're probably not into it as much as me and Danny. But it's nice to hear that you do really like it. Yeah, I don't think I've realised how much I liked it. So it's like gave another kind of listen and it was like, yeah, one of those ones that I'd not that I slept on anything like that, but I just forgotten that I liked it.
Yeah, I kind of I, I'd like, I'd be interested to know sort of how it's regarded in the wider world because in my mind, I always kind of think that maybe like me and Danny absolutely love this album, but we're like somehow maybe the only people that really rate it. I never really hit see people talking about it. No I don't. I think it's a slept on album. Yeah. I mean, I've never seen much sort of love for us, it being celebrated in that way. Yeah, So it isn't it. But with both these albums, I was listening to what you said, Danny, and we're just thinking like the exact same things that I've got written down that I think I'll start with Smith and Wesson.
And for me, this is like the obvious kind of pairing for this would have been Mobb Deep. Like they're really, really similar albums as I kind of mentioned earlier, but for me, and I've always loved this one, it's a really cohesive sounding album. Like thanks, thanks. The beat miners. I think a lot of the kind of best albums ever in whatever genre are so good because that the songs will kind of tune from the same material. And that's like really the case here. I just kind of like the temp that the sort of template of their sound like the atmospheric, dry, dusty, hazy kind of soundscape like when I first started making hip hop, like this was my template for doing it.
This is what I was trying to kind of mimic and it didn't really occur to me before today actually, but that track that I sent you both the other day, like that is this album like all over it. Like it's just shows how deep in my kind of subconscious it is that I just make tracks that emulate it without even kind of thinking about it. So yeah, I mean, in terms of standout attracts me, like let's get it on. It's got probably my favourite sample ever, like that Mandrill sample. I love the kind of the track that it samples.
After the Races is really great,
the interplay between tech and steel is like is so incredible. I think kind of this album is probably my favourite ever example of two rappers like integrating in that way I think. Not that I'm like the biggest like run DMC fan or know their albums well, but I'd say they're the only kind of duos that really match up like that kind of level of interplay. Maybe they're a bit better than Smith and Mercer. Smith, Mercer, they're just absolutely great with it. There are no weak tracks on the album whatsoever.
I think Home Sweet Home is probably my least favourite track and I don't think it's a particularly inventive way of kind of using that Royer's sample. It's been done much better so that the only three out of five for me, but there are loads of fives and four out of fives
entire of of listening to really. I'm starting to. Think we might know which album has got the? Unprecedented 4.75 was it? Maybe, maybe. But we'll, I'll say save that information for for later on, I think, but. Not this one, no. They would need, they would need both. They would need both fives. Yeah, maybe it's it's got fives. It's got fives on it. Definitely like keep it moving. It's absolutely love. But again, it's just sort of my my template really. And it's it samples Paul McCartney drums, which you don't hear very often in in hip hop.
Mother, Miss America. Mother Miss America also used on Common. This is me, I think, yeah, probably some other stuff. So yeah, absolutely love that album. And yeah, it pains me to have to put it up against DJ Quick because that's another album I'm just absolutely in love with. I actually, like, bizarrely, I found it quite difficult to probably gather my thoughts on DJ Quick because like, there aren't any standout tracks on the album. They're just all, they're all good. There's like the only kind of bit that really dips for me is like, as alluded to early, like let me eat it and can I eat it just a bit, kind of too embarrassing juvenile to listen to even by yourself.
And actually, and can I eat it? It's probably the weakest beat on the album as well. Yeah, but with that kind of with that negative kind of side out the way, I think I'll probably go as far as to say it's, I think it's like musically the Best Hip Hop album ever. A bold statement. It's bold, yeah. I think it's like you said, it's like you said, it's more the sort of R&B kind of jazzy thing I've put here that it's more of a kind of soulful funk album basically. Like there's no boom back to it whatsoever.
Like the complete opposite of most of the other albums here. Especially like comparing it, you know, to shine like we are here. But yeah, it's just on another level musically, like the musicians. It must have been like a really expensive album to make, I think. I think like I don't know if I haven't got the line notes myself but like Wikipedia says that it's got like 3 bass players. On there which? Kind of says it all, like the bass work on this, like it's just impeccable throughout. It's got Rock Box the Bacon on guitar.
Yeah, just just incredible. It's kind of like that Doctor Dre method of like working with musicians taken to its logical conclusion, really. And you know, as much as I love Sheree, I just don't think, like you said, I don't think he's made an album as musically good as this before we even know he's kind of a more important producer to hip hop. I think, you know, Quick is just that such an unsung hero of the West Coast, and this is the best thing he ever did. Like both of you have said, it's just all the little details in there, just like listening to it critically to them on a good pair of headphones, really kind of listening out.
And there are things like that, things I heard today that I've genuinely never heard before. And I sort of thought I knew the album inside out, but it's just so layered. Yeah. And. There's little things just like the. Scratching that, it doesn't it And there's the little films and things like that and. Yeah. The way it's all stitched together. And they go in. For one to the next. And it just flows so well. It's just like, it's more like a kind of like a Parliament album or something like that. Obviously really heavily influenced by Parliament, kind of similar kind of acts.
But he's also got a really good voice. I think I've always loved by ever since. Like the first tracker I heard of his was tonight, which I heard on the old Pete Tong radio show. And I loved him, but like since there you are bit of an easy kind of sound, his voice sort of names high pitched, high pitched. But yeah, great rapper. Like really good lyrical content. But the whole album is just so summary. As well, it's a very. Secure summer album like Quick Screw being an obvious one and something to the mood as well.
You've also got like the digs at MC8, which are kind of just some of the best disc tracks since like the whole Ruth first death row by episode. Yeah, like 2 like to have two solid tracks in a row. Like there wasn't sense in that You have it both just A and squarely and CA just completely audacious. Yeah, one of the best diss tracks of all times, yeah. Yeah, amazing. I just never thought of listening to the album. I didn't really kind of realise quite how much I loved it before kind of sitting down today to to kind of review it basically.
And and it is the 4.75 out of five. OK. So it's that one, yeah. Every like there's like there's like just pretty much everything is a fine. OK, well, that's this is strong. This is strong. The only only pits like digging you out 4.5 it's your fantasy 4.5 tangre for the rest of it I just it's just perfect. Like with the way kind of St level comes back at the end with like hurrah for the funk instrumental of that, but with the kind of additional instruments at the end. It's just just love it so much.
It's great. All right. Well, let's so we move this along then, lads, Let's just see what let's do our vote. Let's let's put it to the I think it's pretty clear what you're going to go for, Larry. I think I think where where I'm going to go with this and I'm going to consult real rank on this, whereas I totally agree with you, Larry. I think DJ Quick is a really, really strong album, Like almost Perfect in terms of, you know, that West Coast, that musicality I. I just. I just think that Smith and Wesson I. I think it's a.
Bit of hip hop album I think it's. It meant more. To me back then, I think, and I just, there are more replay, but I used to replay those tracks more than I did DJ Quick, even though I love both of these albums. Yeah. So yeah, I think Smith and Wesson's going to get my vote on this one. OK, I have that at the top of my. Ranking system. So, yeah, that that's my vote. So that's that's that's one for Smith and Wesson. Go on, Larry, you. You go and I do the costume on, I think. Just go, you know, you can.
You heard how in kind of, you know, enthusiastical was about this and it yeah, it is DJ Quick. But it really pains me to not vote for Smith and Wesson. Like there are not many albums that would beat out Smith and Wesson for me and. Yeah. It's it's a shocker. It is like definitely one of my favourites. It's definitely a favourite New York album, really influential on kind of what I do. But yeah, quick, it's just got too many good. It's just it's a feel good album, but Smith and Wesson isn't really.
And that's I think why I kind of favourite. Yeah, interesting take on that. Yeah. I mean, it's, I mean, it's such a difficult choice for me, but this is huge now. Because we've got. It comes down to Steve's vote on this one. This is like, you know, Brazil, Germany in in in the World Cup finals a bit a big guns going to have to go out a. Big gun is going to have to go, and that's the beauty of World Cup hip hop, isn't it? So I keep saying so did. Absolutely. So. For for me and just, you know, the only way I can decide this I think is my personal taste.
They're two really great albums, really enjoyable, both of them. But my personal tastes are more with Smith and Wesson. I think I prefer the sound of the album. I think I prefer the tracks and I think there's more classic tracks on there. So I'm, I'm sorry, Larry, The Shining is is is going to it's going to score a goal here and they're going to go through. Yeah, I don't. Really. I don't, I can't really feel bad about it. Like I, I love this album as well. So, yeah, yeah. Yeah, I mean, it was another high.
Scorer for me. It's brutal. Absolutely brutal. It's really sad to see DJ Quick go, but you know, someone had to. This is almost like one of those sort of went out on penalties. It was nil, nil all the way through. Like a war of I think, I think. I think if you put it to a public vote, 100 random hip hop fans of our work, kind of, you know, vintage, I think Smith and Wesson probably go through. Yeah, yeah, they're not going. To be tearing up the the seats and stuff and rampaging down you. Know down.
The Street. So this this verdict, I think it's the right outcome. But one, you know, it's a sad that one of my favourite albums from this year is to go out at such an early stage.
That's it. I hope you enjoyed that epic battle. Let us know what you think on X Instagram threads and blue sky. Just search at hip hop World Cup. Give us a follow and let us know you're listening. Also, please subscribe and leave us nice five star reviews on Spotify, Apple or your podcast platform of choice. We also have a YouTube channel, so please check us out on there. But that's it. Thanks for listening and we'll see you for our next replay. Peace good. Looking.
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